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Benjamin Smith and Paul "Mudd" Murphy are back with a Balearic gem - The Distance, featuring Quinn Lamont Luke. The release comes with a vocal and instrumental on the A side, and a remix on the flip by legend and consummate production ace - Ron Basejam. The lyrics and vocals by Quinn Lamont Luke are captivating and playfully tease us with emotional yearning. And it's Quinn who provides a stunning jazzy guitar performance that will have you air guitaring all over the dance floor, which sits splendidly alongside the beautiful layers of rich electric piano and Balearic disco grooves. The remix by Ron Basejam recasts the track as an instantly affable yacht-rock-esque anthem, that will fill your hearts and have you reaching for the Campari. This is a sumptuous groover, with layer upon layer of blissed out disco warmth. A sublime masterclass in musicianship and production that will bring joy to the most discerning of ears.
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Trombonist and producer Rosie Turton is the latest rising star of jazz to be offered a volume in Jazz re:freshed's 5ive series of EPs. Her volume, which like its predecessors boasts a quintet of original compositions, is very different to its predecessors, mixing bustling jazz instrumentation (drums, trombone and sax, piano, double bass) with wild and free violin solos, occasional electronics and the odd bout of spoken word poetry. There's much to enjoy throughout, with highlights including the lolloping, hip-hop influenced swing of "Butterfly", the gentle Latin rhythms, electric piano solos and languid bass of "Orange Moon", and the soundscape ambient jazz bliss of "Stolen Ribs". As solo debuts go, it's a bit of a doozy.
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Lech Kowalski - DOA: A Right Of Passage (Directed By Lech Kowalski)
Equipment
$23.77
In 1978 The Sex Pistols embarked on the legendary American tour that they would never finish. DOA: A Rite of Passage is the unique, grainy and up-close document of a unique moment in music history, packed with live footage of The Pistols' incendiary American shows, as well as live performances from Terry and The Idiots, Dead Boys, Generation X, Rich Kids, X-Ray Spex, Sham 69 and additional music from The Clash and Iggy Pop. The cameras also go behind-the-scenes into bars, clubs and car parks and features the now infamous Sid Vicious and Nancy Spungen bed interview.
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Night Beats - Myth Of A Man
CD
$10.54
Introducing the dirty psychedelia rock of Seattle's Night Beats. At a glance you could be forgiven for mistaking them as a new formation of a swinging '60s inspired Arctic Monkeys. But, really, sometimes someone comes along that just does the old fashioned right, and after eight years of releasing a constant stream of music, Daniel Billingsley, the leading force behind Night Beats along with a host of other musicians who made the record possible can be held in a high regard. Let's say something in a spectrum somewhere between Eddy Current Suppression Ring, Tame Impala - Kasabian - and The Black Keys - contemporarily speaking of course.. With more mic techniques strewn across the album than a burgeoning sound student could bare to fathom, it's quality songwriting with subtle production graces to boot - and what more else can you say about a classic, rock, pysch, surf and funk album done well. Rock on man.
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If The Clash is the first thing you think when seeking out this cover then you're in the right place for this kinda music. An affiliate of Domino sub-label Double-Six since forever, About The Light presents Steve Mason's fourth studio album for the label and first in around three years. Mason channels positivity, stability since relocating to Brighton and the desire to reconnect through a dub-time album of acoustic, Brit-pop, and let's say even folky electronic ska. Classic drum machines act as micro-opening-monologues in some tracks, like "Rocket" and "No Clue", furthermore giving Mason some unneeded street credibility, on an album best suited for that 24-hour party person. Steve Mason calling.
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Bobo Stenson Trio - War Orphans
CD
$10.27
The latest must-check release in ECM's ongoing reissue series comes from Norway's Bobo Stenson Trio. Named after an Ornette Coleman tune, "War Orphans" was the talented threesome's follow-up to 1996 debut "Reflections" and contained a mix of covers and original compositions by pianist Bobo Stenson and bassist Anders Jormin. Listening back 22 years after the album first surfaced, "War Orphans" still hits home hard, an effect heightened by some fine re-mastering work. Highlights include "Oleo De Mujer Con Sombrero" - a stunningly poignant cover of a Cuban folk song - the heartfelt, cymbal-rich sadness of Coleman's title track, the atmospheric brilliance of Stenson's "Bengali Blue", and a surprisingly upbeat rendition of Duke Ellington's "Melancholia".
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Be Svendsen - Between A Smile & A Tear
CD
$11.35
Over the past few years, Be Svendsen's releases have showcased his growing maturity as a producer, with the straight-up club fare of old replaced by a range of far more intriguing and musically complex cuts. There are further signs of maturation on this long awaited debut album, which cheerfully shuffles between melodious, mid-tempo Balearic deep house ("Falling"), jazzy and folksy soundscapes (the brilliant title track), dub disco-influenced wonky synth-pop ("Drop The Gun"), Italo-disco revivalism ("Andromeda"), blissful ambient business (the delightful "Moments"), cosmic rock ("Hazy Eyes") and dewy-eyed vocal numbers ("October Letters"). In other words, he's finally delivered the album he's been capable of for some time.
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Deerhunter - Why Hasn't Everything Already Disappeared?
CD
$10.00
The preaching sirens of Deerhunter return, long has everyone been waiting, since the band's Fading Frontier LP of 2015. The group have moved on from the pinky-pop nostalgia they've described as their last album, and moved into and towards a darker and more intensifying feel. The Atlanta group's eighth full-length in total finds itself tripping out on klaviers and chant-like numbers as heard in "Element" and the rickety jingle of album opener "Death In Midsummer". While there's some crooked-eye positivity to be found in the James Dean referencing "Plains", the masterwork of the band's ambient and cinematic scope remains as strong as ever, and alongside Bradford Cox's undeniable haunt, vocal contributions and extra (subtle) hints of subversive nihilism come from Cate Le Bon and White Fence's Tim Presley.
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